Text In the greyness and drizzle of one despondent dawn unstirred by harbingers of sunbreak a vulture perching high on bones of a dead tree nestled close to his mate his smooth bashed-in head, a pebble on a stem rooted in a dump of gross feathers, inclined affectionately to hers. Yesterday they picked the eyes of a swollen corpse in a water-logged trench and ate the things in its bowel.
Full gorged they chose their roost keeping the hollowed remnant in easy range of cold telescopic eyes Strange indeed how love in other ways so particular will pick a corner in that charnel-house tidy it and coil up there, perhaps even fall asleep - her face turned to the wall! Thus the Commandant at Belsen Camp going home for the day with fumes of human roast clinging rebelliously to his hairy nostrils will stop at the wayside sweet-shop and pick up a chocolate for his tender offspring waiting at home for Daddy's return Imtiaz Dharker born is a Pakistan-born British poet, artist and documentary filmmaker.
She was brought up in Glasgow where her family moved when she was less than a year old. She was married to Simon Powell, the founder of the organization Poetry Live, who died in October after surviving for eleven years with cancer. She says she describes herself as a "Scottish Muslim Calvinist" adopted by India and married into Wales.
It is about how her original language feels unused and her new language she has picked up has taken over her "mother" language. However, when she sleeps, and dreams in Gujarati, she remembers her "mother tongue" again. References Moore, Andrew.
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Archived from the original on Retrieved Description The poem describes four people stuck at traffic lights in downtown San Francisco - two are garbage collectors and two are an elegant couple in a Mercedes. The poem is about the contrast between these people and the gap that is developing between the rich and poor even in the USA which is meant to be a 'democracy'.
Andrew Moore. It starts in a house at night where it is raining and a scorpion, in order to take some shelter, comes to the house. This poem is about how the scorpion stung the poets mother and how she escaped and the mother's love for her children. Night of the Scorpion I remember the night my mother was stung by a scorpion. Ten hours of steady rain had driven him to crawl beneath a sack of rice. The speaker specifically remembers this night due to this event- namely, the mother getting bitten. The way in which the mother is bitten is also shown in 'flash of diabolic tail'; the speaker manages to suggest that the scorpion is demonic with its "diabolic" tail, and emphasises its speed.
This is a metaphor for her Pakistani culture, and she says how much it clashes with her English culture. The poem is about the poet's struggle to find which culture she truly belongs to; Pakistani or English. External links Poem Hunter. They came one night Booted the whole house awake And dragged Danladi out, Then off to a lengthy absence.
Chinwe went to work one day Only to find her job was gone: No query, no warning, no probe — Just one neat sack for a stainless record. And then one evening As I sat down to eat my yam A knock on the door froze my hungry hand. The jeep was waiting on my bewildered lawn Waiting, waiting in its usual silence. First edition title page Wessex Tales is an collection of tales written by English novelist and poet Thomas Hardy, many of which are set before Hardy's birth in In the various short stories, Hardy writes of the true nature of nineteenth-century marriage and its inherent restrictions, the use of grammar as a diluted form of thought, the disparities created by the role of class status in determining societal rank, the stance of women in society and the severity of even minor diseases causing the rapid onset of fatal symptoms prior to the introduction of sufficient medicinal practices.
A focal point of all the short stories is that of social constraints acting to diminish one's contentment in life, necessitating unwanted marriages, repression of true emotion and succumbing to melancholia due to constriction within the confines of 19th-century perceived normalcy. He is professor of poetry at the University of Leeds and succeeded Geoffrey Hill as Oxford Professor of Poetry when he was elected to the 4-year part-time appointment from His father Peter is a former probation officer who is well-known locally for writing plays and pantos for his all-male panto group, The Avalanche Dodgers.
He was a post-graduate student at the University of Manchester where his MA thesis concerned the effects of televisi.
Its chief subject matter is the Paddington rail crash and its aftermath. Clarke uses the technology of to ground her poem in reality - the mobile phones of the victims lie in the wreckage of the train while their friends and family frantically try to ring them. She quotes the phrase: "The Vodafone you are calling May have been switched off. Please call later.
Clarke concludes the poem by taking a lenient view, post-Paddington, of train passengers who make mobile phone calls - they no longer seem irritating, merely essential for reassuring people that they are still alive. This poem was written soon after the mobile phone boom of the late s and as such is one of the first comments on the phenomenon. Two years la. Look up Belfast confetti in Wiktionary, the free dictionary. Belfast Confetti is a poem about the aftermath of a sectarian riot in Belfast, by Northern Irish poet and translator.
The name of the poem derives from the nickname for the large shipbuilding rivets and other scrap metal that were used as missiles by Protestant shipyard workers during anti-Catholic riots in Belfast. Contemporary British Poetry and the City. Manchester University Press. Nothing's Changed Small round hard stones click under my heels, seeding grasses thrust bearded seeds into trouser cuffs, cans, trodden on, crunch in tall, purple-flowering, amiable weeds. Brash with glass, name flaring like a flag, it squats in the grass and weeds, incipient Port Jackson trees: new, up-market, haute cuisine, guard at the gatepost, whites only inn.
No sign says it is: but we know where we belong.
The Clown Punk Simon Armitage.
I press my nose to the clear panes,know, before I see them, there will be crushed ice white glass, linen falls, the single rose. Down the road, working man's cafe sells bunny chows. Take it with you, eat it at a plastic table top, wipe your fingers on your jeans, spit a little on the floor: it's in the bone. I back from the glass, boy again, leaving small, mean O of small, mean mouth.
Hands burn for a stone, a bomb, to shiver down the glass. Nothing's changed. Brone, Geert. Cognitive Poetics, p. Gill, Jo.
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Women's Poetry, p. Andrew Moore Gillian Clarke born 8 June in Cardiff is a Welsh poet and playwright, who also edits, broadcasts, lectures, and translates from Welsh into English. Gillian Clarke was born on 8 June in Cardiff. She lived in Barry for a few years at a house called "Flatholme" on The Parade. Although her parents were Welsh speakers, she was brought up speaking only English and learnt to speak Welsh as an adult — partly as a form of rebellion. She graduated in English from Cardiff University. She then returned to Cardiff, where she gave birth to her daughter, Catrin, about whom she has written a poem of the same name, and two sons.
It was written in but first published, in a slightly bowdlerized form, in Poems of the Past and the Present This poem displays how the ruined maid sees herself, but also how society sees her. Though the poem takes on real issues of culture during the Victorian Era, Hardy intended this poem to be light-hearted.
The poem is presented a conversation between two people. To depict this, Hardy uses two voices: For the ruined maid he uses proper English, and for the other person he uses a broken dialect. The poem features a couplet rhyme scheme which can often be found in satirical poetry. This form is also known as an "aabb" rhyme scheme because every two lines rhyme in each stanza. Text "O 'Melia, my dear, this does everything crown!
Who cou. Censorship in the United Kingdom has a long history with variously stringent and lax laws in place at different times. British citizens have a negative right to freedom of expression under the common law. However, there is a broad sweep of exceptions including threatening or abusive words or behaviour intending or likely to cause harassment, alarm or distress or cause a breach of the peace which has been used to prohibit racist speech targeted at individuals , sending another any article which is indecent or grossly offensive with an intent to cause distress or anxiety which has been used to prohibit speech of a racist or anti-religious nature , incitement, incitement to racial hatred, incitement to religious hatred, incitement to terrorism including encouragement of terrorism and dissemination of terrorist publications, glorifying terrorism, colle.
Hakim Safdar Hamdani in his book Shian-e-Kashmir has termed him as a Mard-e-Mujahid or an Islamic warrior while others, like Syed Kazimi, has described him as a man who had a hidden and heavenly helping hand behind him. Biography Syed Saleh Rizvi lived during the 17th and 18th centuries. Grave and descendants Syed Saleh is reportedly buried in Kabul, Afghanistan.
Grace Nichols born is a Guyanese poet who moved to Britain in Biography Grace Nichols was born in Georgetown, Guyana, and lived in a small village on the country's coast until her family moved to the city when she was eight years old. She has written several further books of poetry and a novel for adults, Whole of a Morning Sky, Her books for children include collections of short stories and poetry anthologies.
Her latest work, of new and selected. Poetry Live, also known as Poetry Live! Poetry Live! At first, distinguished academics and critics gave talks about novels, plays and poetry but then the idea emerged that it might be better to have the writers themselves talking about their work. However it was the poets who really struck a chord with the huge plus audiences. The Falling Leaves Today, as I rode by, I saw the brown leaves dropping from their tree In a still afternoon, When no wind whirled them whistling to the sky, But thickly, silently, They fell, like snowflakes wiping out the noon; And wandered slowly thence For thinking of a gallant multitude Which now all withering lay, Slain by no wind of age or pestilence, But in their beauty strewed Like snowflakes falling on the Flemish clay.
Her brother was jailed for refusing to obey conscription. She wrote poems about World War I and against the government. In World War II she wrote propaganda poems in favour of the war. The poem is calm and demonstrates that people on the home front during the war remained ignorant of what was happening on the Western front. The poem says, "I saw the brow. She is a professor of contemporary poetry at Manchester Metropolitan University, and was appointed Britain's Poet Laureate in May , resigning in She is the first woman, the first Scot, and the first openly gay poet to hold the position.
Eliot Prize. Her poems address issues such as oppression, gender, and violence in an accessible language that has made them popular in schools. In , he was selected for the Queen's Gold Medal for Poetry. He loved to listen to cricket commentary on the radio and began making up his own, which led to a love of language. He taught the languages he had studied and worked in a local library. He was also a sub-editor and feature writer for the Guyana Sunday Chronicle, publishing two books while he was still in Guyana.
This is the list of the Muslims in entertainment and the media.
Simon Armitage: The Clown Punk - Mindmap in GCSE English
Comedy American comedian Dave Chappelle in But Dont laugh: every pixel of that mans skin Is shot through with indelible ink: As he steps out at the traffic lights, Think what hell look like in thirty years time The deflated face and shrunken scalp Still daubed with the sad tattoos of high punk. You kids in the back seat who wince and scream When he slathers his daft mush on the windscreen, Remember the clown punk with his dyed brain, Then picture windscreen wipers, and let it rain.
Driving home through the shonky side of town, three times out of ten youll see the town clown, like a basket of washing that got up and walked, towing a dog on a rope. You kids in the back seat who wince and scream when he slathers his daft mush on the windscreen, remember the clown punk with his dyed brain, then picture windscreen wipers, and let it rain. What sort of character is the Clown Punk? What is his status in Stanza 1? How do the children react to the Clown Punk? Why does the narrator want the children to remember the Clown Punk?
The poem is written as a sonnet 14 lines traditionally written in iambic pentameter. Iambic pentameter 10 syllables per line, alternately unstressed and stressed Dri-ving home through the shon-ky side of town Unstressed syllables in italics Stressed syllables in bold. Why is the poem written as a sonnet? Why does the poet use rhyming couplets? What is the effect of the poets use of alliteration and assonance? What is the effect of the final couplet of the poem?
Think of 3 questions that you would ask either the narrator or the Clown Punk if you met them.
The Clown Punk By Simon Armitage.
List 3 things that you have learnt about the characters in the poem. What is the most memorable word, phrase or line from the poem? Read Free For 30 Days. Documents Fiction 64 views. Flag for inappropriate content. Related titles. Jump to Page. Search inside document. Write 3 words or phrases to describe the 2 pictures below. Share your ideas with a partner. What words would you use to describe someone who is homeless? Rhyme and Rhythm The poem is written as a sonnet 14 lines traditionally written in iambic pentameter.