Ultimately, he shows us how film censorship is about far more than the movies it is a key to understanding why political and cultural legitimacy is so unstable in mass-mediated societies. Printed Pages: Seller Inventory More information about this seller Contact this seller. Seller Inventory OBS Book Description Condition: New.
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This is Brand New. Seller Inventory Orient Pub Book Description Orient Blackswan, This book will be of interest to general readers concerned with contemporary Indian culture and politics, and of specialist value to students and scholars of media studies, anthropology and sociology, and critical theory.
William Mazzarella. Publisher: Orient Blackswan , This specific ISBN edition is currently not available. View all copies of this ISBN edition:. Synopsis About this title Censorium is an innovative analysis of Indian film censorship.
- Cinema and the Open Edge of Mass Publicity.
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Review : "As a system of regulation behind mass publicity, censorship stands at a scholarly impasse, often arbitrary in its exercise and yet seemingly consensual in its popular outcomes. Buy New View Book. Other Popular Editions of the Same Title. Duke U Search for all books with this author and title. Customers who bought this item also bought. Stock Image. Seller Rating:.
Censorium: Cinema and the Open Edge of Mass Publicity
Exploring breaks and continuities in film censorship across colonial and postcolonial moments, William Mazzarella argues that the censors' obsessive focus on the unacceptable content of certain images and the unruly behavior of particular audiences displaces a problem that they constantly confront yet cannot directly acknowledge: the volatile relation between mass affect and collective meaning.
Grounded in a close analysis of cinema regulation in the world's largest democracy, Censorium ultimately brings light to the elusive foundations of political and cultural sovereignty in mass-mediated societies. Get A Copy. Paperback , pages. More Details Other Editions 4. Friend Reviews. To see what your friends thought of this book, please sign up. To ask other readers questions about Censorium , please sign up. Lists with This Book. This book is not yet featured on Listopia. Community Reviews. Showing Rating details.
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Dec 13, Aakash rated it it was amazing. The organization of historical and ethnographic data along with related theoretical arguments makes it a very convenient read. The treatment of the material is never polemic and always balanced and objective. The author almost disappears as the reader immerses in the book and only appears when absolutely necessary. The description of interviews etc is real-life like. Rich in ethnography and highly analytic about its theoretical implications. Through analysis of controversies generated by films a The organization of historical and ethnographic data along with related theoretical arguments makes it a very convenient read.
Through analysis of controversies generated by films and the cinema in general through colonial until the post colonial times of s in an Indian context, the book is ultimately talking about about the State's struggle in sustaining sovereignty as it is presented with the open edge of mass publicity. For the Indian reader aware of the context, the book will be a very useful resource to make sense of her historical context.
Censorium: Cinema and the Open Edge of Mass Publicity by William Mazzarella
For the reader not aware of it, the book is ultimately about an anthropology of the State and the State's interaction with mass media and thus is an important resource for anyone trying to make sense of the sovereignty of the State and the interplay of this struggle for sovereignty in the age of mass media. A must read. Apr 20, Nayana Renukumar rated it really liked it Recommends it for: Everyone seething at India's atrocious censorship tactics. It is therefore not surprising that Mazzarella chose an ethnographic analysis of film censorship in India to explore the uncomfortable relationship between mass publicity and political authority.
In a work that examines the genealogy of censorship from colonial times to its present form, Mazarella analyses the problems associated with film censorship as a means to reveal basic issues in the grounding of political and cultural authority in mass-mediated societies. His exploration is structured thematically across five chapters. Tereza Kuldova rated it really liked it Jun 04, Jorge rated it really liked it Oct 27, Sandeep Mertia rated it really liked it Oct 13, Penyez marked it as to-read May 01, Fateh Mann marked it as to-read Dec 02, Matthew Campbell marked it as to-read Mar 03, Zafreen Mahfooz marked it as to-read Mar 14, Shantanu Singh marked it as to-read Apr 27, Joseph marked it as to-read Jan 03, Buxina marked it as to-read Feb 11,