PDF Miedo a Amar (Brumas nº 2) (Spanish Edition)

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Deposit a complete issue of a scholarly journal, newsletter or book. Deposit scholarly works such as posters, presentations, conference papers or white papers. Skip to Content. Toggle navigation Carolina Digital Repository. Help Contact Us Login. You do not have access to any existing collections. You may create a new collection. MLA Chandler, Keri.

University of North Carolina at Chapel Hill, She sings and cracks vertex and boundary. The night is a gnawed gash from a monkey maw, and it festers. Translated by Claudia Routon. How lonely the child acrobats who buckled their body the instant they buckled their childhood, no shoes on those dusty roads with the puppeteers and the dealers, from fair to fair; vertigo, trapeze, fragile malnourished limbs twisted in impossible positions; suspending in the air, between pulleys, a hostile future ready to break the magic of the circus.

In her first poetry collection in English, One is None , was published.


  1. Sexuality and Social Control in Mexico, c. 1901.
  2. The Famous 41.
  3. Laire de repos hantée (Histoires pour attendre) (French Edition).
  4. Spanish by Choice/Novelas Cortas/Print version - Wikibooks, open books for an open world!
  5. Filmography;
  6. Por siempre mi amor.
  7. In she won the annual Friedebert Tuglas short story award. She is currently working on her fifth collection of poetry and on her second novel. You dip your foot into darkness like water, you take it out, no foot to be seen, your foot is black to the brink of darkness. You dip your hand into light like water, you take it out, no hand to be seen, your hand is white to the limits of light.

    My Bosnian lover is of the blue wolf brotherhood. At birth he bore a blue mark on his back, a gemstone ingrown on his spine; his mother ate moonstone mash to make her child human. And it did. My Bosnian lover longs for his kin and is always up at night. When he walks his footfalls fit into those of his forerunners. My Bosnian lover has outlived his siblings. His brother burnt in his home. His sister fled from looters and outlaws to be snared in the forest by soldiers.

    She served as their war wife, one for all. In a year she was ousted from the gloom: too ugly and too combustible. My Bosnian lover has a bullet hole in his forearm. My Bosnian lover has a history of love. My Bosnian lover has a history of war. Every day at dark he returns to the past to search for his people. My Bosnian lover is good with his hands. He carved his own bed where sleep never comes, only love, whispers and blood.

    He takes me with a howl and with force and I, lacking moonstone in my spine, at every full moon turn werewolf. My Bosnian lover offers me bread from a knife tip. He vowed that for me he would always keep a knife and bread.

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    I believe him. Tu idioma es la casa de tu alma. En esa casa milenaria, hogar de tus recuerdos, permanece tu palabra. Por eso, no llores la muerte de tu cuerpo, ni llores la muerte de tu alma; tu cuerpo, permanece en el rostro de tus hijos, tu alma, eternece en el fulgor de las estrellas. Your language is the house of your soul. Your parents and grandparents live there. In that ancient house, home of your memories, your words remain.

    Therefore, do not mourn the death of your body, nor the death of your soul; your body, remains in the faces of your children, your soul, is immortalized in the glow of the stars. The vegetable serpent. The song of the birds belongs to us all; no one, no one, other than a cage, is its owner. Dark Skinned Woman In Exile If passports could talk… Brown hands Bad-spoken Filled with soil Opened by the palm Complex My eyes, intelligent My tongue, bitter These hands will be my starting point when the knot releases its dirty feathers from exile Do it! Touching the Void Dressed to the nines, the secular priest smoothens his matted hair against the back of his neck, wipes his brow with a silk handkerchief when fibers of his photographic future entangle upon his shoulders he thinks of nothing Perhaps he remembers a Sunday afternoon in the distant past when his father spit in his face Aside, almost outside the plans, the man wavers from the sky recalling a crystal lamp: crushed in the electric dissection: his blood springs in trickles from his very close mouth.

    He looks at his watch: A. She too looks at it. You must get dressed now, she whispers to him, he is in his way. We Are a Waterfall Your eyes full of surprise will see snow sculptures of women in their glacial wait sleeping without dreaming or resting. Translated by Maureen Contreni.

    The Famous 41 | SpringerLink

    The American Alphabet a is for anger. Y sin embargo, pareces tan dichosa. Nevertheless, you seem so happy. Whom will you tell… whom? Del libro Poemas en una jaula de Faraday, Translated by Pilar Gonzalez. At first nobody knew me. And then nobody asked anything. I killed the suitors. I no longer Have to sail through storms. No longer to invent myself. To invent anything. To be someone else. Not even I dream about Ulysses.

    My escape into reality is completed. He matado a los pretendientes. No tengo que inventar. No tengo que inventarme. No tengo que ser otro. No tengo que ser.

    Mi fuga a lo real se ha cumplido. La noche es una herida de colmillos de mono y empieza a supurar. Confinement A woman is roasting sweet potatoes in the embers of the fire. The Camel Fair Pushkar How lonely the child acrobats who buckled their body the instant they buckled their childhood, no shoes on those dusty roads with the puppeteers and the dealers, from fair to fair; vertigo, trapeze, fragile malnourished limbs twisted in impossible positions; suspending in the air, between pulleys, a hostile future ready to break the magic of the circus.

    Darkness and light You dip your foot into darkness like water, you take it out, no foot to be seen, your foot is black to the brink of darkness. Darkness, light unseen alike. Translated by the author and Miriam McIlfatrick-Ksenofontov. With the excuse of these songs, twenty young artists direct a work of collective creation, using different animation techniques. A film that defies and demolishes the standards of what is considered, in general, correct motherhood.

    The friendship that arises between an old woman and her nurse will lead the former to unearth never confessed desires, helping her to reconcile with her past. I Am Sheriff follows a young man as he visits Lesotho showing his film in villages, schools and remote communities. When Sheriff was born, he was assigned the female gender but, as his grandmother tells in the movie, he refused to wear dresses and always wanted to play with boys.

    The first love is always very exciting, but sometimes it can also end up making us feel a lot of shame, unrequited emotions and great confusion about our own identity. BJ, a lesbian with a masculine attitude, has always successfully avoided dresses until, together with her partner Sherrie, they adopt Jeffrey, a boy who loves dancing, acting and, above all, dresses.

    Los Cortos Queer Alemanes trascienden nuevas fronteras —con propuestas que celebran los cuerpos gordos queer y femme, y plasman las exploraciones Afro y no-binarias del artista performancero Va-Bene.

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    Not only were we able to present a program of Mexican Queer Short Films in Berlin, but we were also lucky enough to have Antonio present as one of our Jury Members. Never have I been witness to a jury discussion that was so passionate and so long so very long about queer short films. A Number of films that you will see presented in this program are made up of winners chosen by our jury this year. The German Queer Shorts cross new boundaries, with films that celebrate fat queer and femme bodies, and Black non-binary explorations from Performance artist Va-Bene.

    Sexuality and Social Control in Mexico, c. 1901

    What is more, the two films that won the Best XPOSED Short Film are each eternally memorable in their own way: The experience of being intersex is documented in a visually stunning way, as is the playful, experimental venture into queer sex. To complete the program, the ever-strong film about reclaiming female sexuality will leave you empowered, while a certain film spoken in cat language will win your hearts. Coming together as a community and watching queer short films is a form of empowerment, a moment in time where not only can you be entertained, but exposed to new ideas, movements, forms, people, filmmakers and fellow queers.

    That early morning stroll you take home after having one of the most mind blowing experiences of your life with someone, your make up is smeared, you stumble a little, wincing a little in pain from those unfortunate carpet burns on your knees, but at the same time, you are smiling and beaming with Afterglow. Sus selecciones son retratos desafiantes donde varias identidades se rebelan y revelan. El cine queer, feminista, desafiante, abunda. During the thirteen years since its inception, the XPOSED Queer Film Festival has continued to rattle conventional representations of identity through cinema-- making the heteronormative patriarchy tremble, while captivating us with revolutionary bursts of freedom and dreamy expressions of joy.

    Its film selections are comprised of bold works where various identities rebel and reveal themselves. One of the overarching themes in these works is the rebellion implicit in the struggle to become ourselves: our identity embracing sexuality, celebrating those who choose to flaunt their difference, rather than hide to appease others. The body—always the body— as the object of oppression and as a means of emancipation. This year, the Festival endeavored to bring forth the voices of women directors. It is through these themes that XPOSED brings us the vision of eleven women directors hailing from various corners around the world, who arrive-- or return-- to Mexico with stories that remind us that each person is a microcosm, that there is beauty in difference, and that the unfettered expression of our identity is a revolutionary act—opening our minds and senses to new modes of human and filmic expression.

    The story of two best friends meeting up and trying to find a new life together, whilst having a nice cuppa tea and a catch-up on a swing. My Own Wings is a transmedia project that aims to explore the intersex identity thought stories of intersex people in USA, Spain and Ukraine. Un vestido dorado de verano en XXL, y la paleta gotea lentamente sobre el suelo caliente. A golden summer dress in XXL, the ice lolly drips slowly onto the hot ground.

    With their expansive body dimensions they break the chains of outdated gender structures and claim space for themselves. The pleasure of their own, overflowing corporeality is an alternative draft to the neoliberal logic of exploitation. In times of self-optimization, your belly is a statement! Queer fat feminism! Un gato entra en la Oficina del Ministerio de Asuntos Gatunos y solicita un pasaporte.

    Todo va bastante bien hasta que los gatos y gatas funcionarios del lugar exigen conocer el sexo del gato. A cat walks into the Office of the Ministry for Cat Affairs and requests for a passport. Borderhole takes place on a mythical border area between Colombia and the United States. We investigate the relationship between North and South America through the lens of the American Dream and the illumination of multiple tensions in and around the border.

    Va-Bene muestra que puedes ser unx aliadx, y luchar por lo que crees que es correcto. Va-Bene is a performance artist who criticizes and draws atention to the restrictive and religious approach to gender that is present in Ghanaian society. This portrait is focused on his performance of femininity, which seeks to challenge and subvert Ghanaian perceptions of what it is to be a woman. Va-Bene shows that you can be an ally through art, and fight for what you think is right. JUCK cuestiona las posiciones de objeto y sujeto. Provocan, inspiran y rompen normas. Juck is a minute film which is a hybrid between documentary, dance and fiction.

    The film depicts the all female dance group JUCK who made a name for themselves in with a video that became a viral hit all over the world. JUCK questions the positions of object and subject. They provoke, inspire and break norms. The film poses the question: what is femininity? H emos aprendido a co mun i ca r n o s en 1 5 seg undos.

    The female trans body becomes a political means of expression in the public and private space. The black and trans singer Linn da Quebrada deconstructs how alpha males conceive themselves. The documentary by Kiko Goifman and Claudia Priscilla portrays a charismatic artist who reflects on the gender with an extraordinary stage presence. El documental sobre su vida, significaba un momento de tregua ante la batalla constante que hace con su cuerpo y su voz incansable; en este retrato dirigido por Claudia Priscilla y Kiko Goifman, da Quebrada encarna la diversidad sexual valiente y sincera.

    Si esto parece un doble insulto, Linn da Quebrada demuestra todo lo contrario. Dispara a quienes creen que los travestis son maricones con un baile desfogado y apasionado. Para Linn, la o el travesti es este ser humano. Linn no se viste de mujer. Goza de ser mujer. Abraza el cuerpo desnudo de su madre y lo purifica. Ama a la mujer. Es la salida de emergencia en un universo de mentes cerradas.

    Quiere salir a bailar sin que importe el fin del mundo. Bixa Travesty was screened for the first time during the last edition of the Berlinale. This documentary is about her life, it represented a moment of truce, in light of the constant battle she engages in with her body and her unbreakable voice. The film, directed by Claudia Priscilla and Kiko Goifman, portrays da Quebrada and her embodiment of sexual diversity at its boldest, bravest, and most sincere.

    Her song inspires a special strength in those who listen—and this becomes a shield against rejection and discrimination. If this seems like a double-insult, Linn da Quebrada proves quite the opposite. Linn does not dress up as a woman. She relishes being a woman. She deconstructs gender with a gunshot, and infuses femininity with a power operated by the rules of her own body.

    She embraces the naked body of her mother and purifies it. She loves women. Her body is her self-recognition, her fortitude, her gender manifesto. She is the emergency exit in a universe of closed minds. She wants to come out and dance, undaunted by the end of the world. Cameron Post aparenta ser la alumna perfecto de prepa. Cameron Post looks the part of a perfect high school girl. Founded in San Francisco by renown activist, drag queen and performer Jose Sarria, the Council has helped shape LGBT life and social history in San Francisco and beyond throughout the last five decades.

    Sarria was also the first openly gay man to run for political office in the United States in His body has not been found, along with him hundreds of thousands of victims buried in mass graves continue to be unidentified. The search for the remains of Lorca has become the symbol of the struggle of the Spanish LGBT community, which yearns for justice for all murdered and disappeared.

    Through this documentary, Andrea Weiss gives voice to those who during the Franco regime were violently repressed due to their sexual orientation or gender identity and who remain without being properly recognized. Pero cuando sus deudas hacen que Chiquita sea encarcelada por fraude, Chela se ve obligada a enfrentar una nueva realidad. But recently their financial situation has worsened and they begin selling off their inherited possessions. But when their debts lead to Chiquita being imprisoned on fraud charges, Chela is forced to face a new reality.

    Driving for the first time in years, she begins to provide a local taxi service to a group of elderly wealthy ladies.

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    As Chela settles into her new life, she encounters the much younger Angy, forging a fresh and invigorating new connection. Chela finally begins to break out of her shell with the world, embarking on her own personal, intimate revolution. The narrative develops between the intimacy and the social context of the characters, thus raising questions about the trans community and its political disputes.

    In Salt Lake City, Utah, the hegemonic religion severely complicated the AIDS crisis, where patients received no support from—or were cast into exile by—the political, religious, and medical communities. This is the story of her fight to save the lives of a maligned population everyone else seemed willing to just let die. Haruna Wakagusa es una estudiante de secundaria que vive con su madre.