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    Being also a great traveller, Rebetez considered himself the voice of Spanish-language sf around the world, until he became more interested in Cinema. It was between and that the first generation of Mexican sf authors emerged — those who deliberately immersed themselves in the genre, viewing it as more a literary divertissement as it had been for most of their forerunners. This generation felt attracted to sf because it was the fashion at the moment and also because of their fascination with the space race.

    The majority merely took elements from Anglo-American sf for their work, keeping faithful to the school of the Spanish-American short story. Novelists were also busy. The year is a milestone in the history of contemporary Mexico because it was the date when the government violently crushed some student demonstrations, unintentionally giving impetus to the counter-cultural movement which in turn had an impact on sf.

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    Mainstream Writers were also busy. There were also sf magazines, like Espacio , 6 issues , and Kosmos , 2 issues , but they only offered translations — chiefly of US material, with some from the USSR. One venue where local talent could publish was, surprisingly, Contactos Extraterrestres ["Extraterrestrial Contacts"] , a UFO magazine published by skeptics; this also included translated short stories from the US. The following year, , saw the establishment — through the efforts of biologist Celine Armenta? This sparked open interest in the genre among literally hundreds of mostly young Mexican writers, as shown by the short stories received from all over the country.

    In the prize was not awarded: the panel of judges considered all the story submissions unworthy, and decided to use the award money to create an SF Literary Workshop. The winners and some honourable mentions from the first eight years of the Puebla SF Short Story Award were published in Principios de incertidumbre ["Uncertainty Principles"] anth edited by Celine Armenta.

    As a rule, this new generation of authors has attempted to create a peculiarly Mexican sf, with characters, scenery and circumstances corresponding to the Mexican urban and rural reality. The contemporary generation of Mexican sf authors was united following the creation of the Puebla SF Short Story Award, which highlighted the work of writers from all over the country. In , the Mexican Association of SF and Fantasy was founded; this organization introduced an annual award, the Kalpa — named for one of Amado Nervo's poems — for the best published short sf story.

    Since the second convention, international participants, like Bruce Sterling have taken part. Its fourteenth issue February was a special one dedicated to the "Mexican Myths", a local version of H P Lovecraft 's Cthulhu Mythos , with original contributions inspired in pre-Hispanic mythology and Mexican colonial history. One of the most outstanding novels of the s, La primera calle de la soledad ["The First Street of Solitude"] by Gerardo Horacio Porcayo , an sf espionage story in the best style of Philip K Dick 's Paranoia and religious hallucinations, intertwined with Cyberpunk , was the starting point — along with the international rage for this kind of literature — for the Mexican school of Cyberpunk.

    Flavoured with Mexican religiosity and other idiosyncrasies, the movement drew the attention of local and foreign scholars. The vision of Mainstream Writers of this period is also pessimistic.