The prescribed readings for. It was first performed on 26 November The cantata is based on the hymn by Jakob Ebert He composed the chorale cantata in Leipzig for the eleventh Sunday after Trinity and first performed it on 20 August As organist at Weimar, Johann Sebastian Bach was charged with providing a harmonic underpinning for the singing of Lutheran chorale tunes chosen for each day.
Bach wrote out many of these harmonizations, in part as instruction for younger composers they are still used for this purpose. A derivation. Bach cadams Pro. Arranged as a trio by Clarin Pardo but with a suggested and rather hurriedly written harpsichord continuo.
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- Trio super Herr Jesu Christ, dich zu uns wend, BWV655.
The solo parts have now been adjust in one or two places to accommodate their range. With Calin Pardo's permission.
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Jean Guillou: The Organ Works of Johann Sebastian Bach (1685-1750) Vol. 3 CD
Unauthorized reproduction is prohibited by law and may result in criminal prosecution. Portrait photograph of Jean Guillou by Mark Hamilton. He is the last in a distinguished line of composer-organists, a virtuoso who creates, a Frescobaldi, a Sebastian Bach, a Liszt, a Widor. This rare blend of creator and interpreter imbues his traversal of Bach's amvre for organ with a special vision, a unique spirit.
Messiaen, or Guillou. In these innovative, iconoclastic performances, virtuoso-composer meets virtuoso-composer, creator meets creator, and recreator meets recreator, all on an equal footing; together Bach and Guillou span the centuries like the Shakespearean colossus.
Er ist dcr letzte einer distinguierten Reihe von Komponisten-Organisten, cin Virtuose, der schopferisch tiitig ist, ein Frescobaldi, ein Sebastian Bach, ein Liszt, ein Widor. Diese seltcnc Mischung von Schopfcr und Interpret durehdringt seine Wiedergabe von Bach's Orgelwerken miteinerbesonderen Vision, einem einmaligen Geist.
- Trio super 'Herr Jesu Christ dich zu uns wend', BWV 655 (Bach, Johann Sebastian).
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The 78 RPM recording that Percy Grainger made of his conflation of the two arrangements is justly legendary. The stark harmonies, the insistent angularity, and the somber but relentless forward motion of both the Toccata and the Fugue have also made them standard repertory for any horror film anti-hero or villain who happens to play the organ.
Under the circumstances, then, it is ironic that the Toccata and Fugue in D Minor may not have been conceived for the organ, that it was not originally in D Minor, and that it may not have been either composed or transcribed by Sebastian Bach. Both sections of the work are undeniably violinislic; the Fugue is especially so.
Where else is there in the music of J. Bach a minor plagal cadence at the close?
Johann Sebastian Bach. Organ music
Is it not odd to have a solo pedal entry in a fugue? Are the simple effects, such as the dramatic diminished 7 hs, really characteristic of J. The 46 settings of 44 different chorales that make up the incomplete anthology can be shown to be revisions, of chorale preludes, that Bach had begun working on as much as ten years earlier, while still in Arnstadt.